type II cast

a type II podcast, broadcasting from the hose.


Episode 73: PNC > MPP (2013)

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This week on the podcast, Type II Cast continues with its review of summer tour 2013. For this round, we have four shows: PNC, Jones Beach, and both Merriweather Post Pavilions. Joining me on this episode are panelist Drew Hitz and past guest of the show Chris Bertolet.  The three of us guide you on a journey that is “stronger than the storm,” while providing insight and anecdotes to put this run into context. Of course, we have some tasty clips to supplement the commentary as only Type II can do. And spoiler alert, we have been loving tour so far! So sit back, relax, and block off the next hour and a half to take this trip to face melt city.

Thanks for listening and we will see you after Chicago!

- Steve

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Episode 55: Kansas City > Pelham > Atlanta (2012)

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Leg 2 of summer tour continues and so does the fresh content on type 2 cast. Continuing the trend from last episode, the panel is another “+1,” consisting of regular guest Josh Korin and myself. To set the stage, neither of us were there, and that’s OK. We did catch the webcast from Pelham and hope to see this trend continue as we both had a blast. We picked nine of the best clips from these three shows but changed up the formula for the outro. This episode was streamed live and the chat room picked the last clip. We’ve been trying new things on type 2 and we will continue to mix it up for the next two episodes. Don’t miss out!

Thanks for listening,


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Episode 54: Long Beach > Bill Graham (2012)

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PHISH.IS.BACK. And we are back. And it is Leg 2. And all is well in Phish land….. But seriously.

Tonight you have just Chris and I. Chris was in SF. I was on couch tour. We both of course listened to all 4 of these shows multiple times. We found the best clips, as usual. However, for the first time in type 2 history, I got to pick all of the timings. That said, you know where to send all of your hate mail. Hopefully that isn’t the case, and our selections and commentary will shed some new light on these first few shows of Leg 2.

Thanks for listening,


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Episode 51: Deer Creek > Alpine Valley (2012)

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This week on the program I am joined by Dave Calarco and Parker Harrington and we embark on the wonderful journey that is reviewing the two Deer Creek and two Alpine Valley shows from summer 2012. These two classic Phish venues almost never disappoint and this year was no different. With the shows falling at just past the halfway point of tour, the boys were in full swing and dealt us beautifully crafted setlists, precise improvisation and some more stage antics. We could have thrown a dart at the setlists and hit a great clip each time but as usual cut down to what we felt were the ten best.

Thanks for listening,


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Episode 50: OH>PA>OH (2012)

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You guys,

I’m gonna keep this one short. This episode covers the Riverbend > Starlake > Blossum run from Summer Tour 2012. Joining me are Tanya and past guest, friend of the show Josh Korin. This was a great three days and as expected it took us a while to cover everything. Great setlists, antics, whale calls, type 17, plinko, and even a bustout litter these six sets. Josh was lucky enough to hit all three, while Tanya and I were confined to the land of ghetto couch tour and a failing Live Phish app. We hold no grudges for missing out on a great run and enjoyed every minute of of our ten clips for the evening. Check back soon in the comments for the track listing.

Thanks for listening and we will see you guys after Alpine.


PS: We need Lushington signs at Jones Beach.

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Episode 49: nTelos (2012)

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This week on the podcast I am joined by Drew and Stephen T. from TWoL. Both were in attendance at the 2 nTelos shows, and I did #couchtour proper. We love this venue, and we love the antics and jams that Phish threw down over this 2 day, midweek run after Bader Field. I had wanted to keep this on the shorter side, but with 6 clips and an outro, will clocked in at just over an hour. As will happen from time to time, we go beyond the show reviews and drop some info and lulz that you don’t want to miss out on.

We will be back in just a few days with our review of Cincinnati > Burgettstown > Cuyahoga. Thanks for listening.

- Steve

Thanks for listening,


PS: Apologies for Drew’s audio which has issues at time. He was on an AT&T iPad in the middle of the woods.

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Episode 48: Bader Field (2012)

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This week on the show, Scotty, Tao Pauly and I review the 3 night “festival” run from Atlantic City, NJ a few days ago. We all were in attendance and couldn’t have been happier with the grounds, crowd and all around quality playing. Those in attendance were treated to some type 2 jams, stage banter and segues a plenty, adding up to a well rounded 6 sets. We had lots to choose from and present you with 10 clips, the exact details of which will be released at a later date. In the meantime, load us up onto your music device and take a trip with us to Bader Field.

Thanks for listening,


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Episode 40: Tension and Release

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Joining me on the show this week we have regular host Drew Hitz and new guest Chris Glushko. The three of us discuss the band’s use of tension and release in their sound, jamming, and crowd interaction. If you aren’t familiar with the term check the wiki page for a simple explanation (for a more technical blurb, peep this Trey article). Of course, we found ways to illustrate this musical concept and broke a few rules in the process. There are tasty clips peppered throughout the hour and some aren’t even Phish tunes. We recorded on a Sunday, which is probably not kosher for some reason. And lastly, skype went the whole time without needing to be reset. I can’t say if any of these correlate to it being a good episode, but I’m confident it won’t be time wasted.

Thanks for listening,


PS: The next episode is going to be “Listener’s Choice.” What does that mean? It means that you get to participate. The offer is open for three listeners of type II cast to guest host and each choose three clips that you would like to share. They should be something that (hopefully) not many people have heard, or at least clips we haven’t already played on the show. It would help if you were there at the time, but not a requirement. And, most importantly, you should want to discuss why you love these clips/songs/shows/etc. To be one of the guests, here’s what you need to do:

1) Follow @typeIIcast on twitter and tweet something like “I want to be a guest on @typeIIcast for the #listenerschoice episode.” (as long as you @reply us and use the hashtag, then you are good)


2) Follow this blog in wordpress and leave a comment below indicating that you want to be a guest.

I will randomly select (scout’s honor) the three people. You will need to have a computer/phone/iPad that has an internet connection, microphone/speakers/headset, and Skype. The episode will record 2/28/2012 at 8pm eastern. So make sure you will be available at that time (the show runs for about an hour and a half). Don’t worry about the clips, I take care of all that. You just need to tell me the who/ what/when/where/etc. Entries are open till 2/20/2012 at noon. I will randomly select the guests at that time and contact them via twitter or the email provided on the blog. Feel free free to ask any questions and good luck!

Disclaimer: Employees, their families, and subsidiaries of TWoL/TypeIICast are not eligible to enter. Offer void where prohibited by law.


Episode 22: Bethel Woods, 2011

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This week, Tanya, Sam, Scott, and I kick off the first of our summer tour reviews, starting with Bethel Woods. Luckily, 3/4 of the panel attended this one, thus being able to offer our thoughts at the time and then on second listen. Without spoiling too much, we all agreed that the first two nights were very solid, and while the third wasn’t horrible, it left a little to be desired. As usual, we had a tough time choosing clips, since there were many tasty nuggets, especially in the first sets of the first two nights. A lot of ground was covered in this hour long episode, discussing such topics as “meltdown jams” and “plinko”. And while everyone hates when we agree, there is not much debate about how this tour opener ranks. Be sure to listen all the way through and post your comments below. Our next episode is scheduled for Tuesday, 6/7/11, to discuss the PNC shows.

Thanks for listening,


PS: For the entirety of Summer Tour ’11, Type II Cast will review every show. We hope to get those reviews recorded within a week or two of the performance. We will not record on the normal Tuesday night schedule during this time. Stay tuned to twitter or Facebook or subscribe in iTunes in order to catch new episodes.

PPS: For a supplemental look at Bethel Woods, check out TWoL’s coverage of the scene.

(spoilers after the break)

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Episode 20: The Clifford Ball

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This week our topic is the first in a series of festival reviews. We gave everyone the choice of which festival to cover first, and The Clifford Ball came in at number 1, proving that chronological order is the way to go. Fortunately, Scotty, Drew and Tanya were all at the Ball, and can offer first hand reviews and insight. Like always, we assembled some choice clips and even opted to sneak an extra one in during the intro. And since this is the “Nerd Music Phish Cast” (as I heard it referred to last week), the blog post can be pretty simple. Listen in, and enjoy some pictures and technical info after the page break.

Thanks for listening,


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Episode 16: Great Woods, Or Mediocre Woods?

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This week, Eric, Drew and myself tackle a “venue review”, and discuss the 14 shows that occurred since 1992 at a little place us phans like to call Great Woods, despite that it has changed names a few times. (We don’t bother to look as to what it is actually called these days, insert jaded vet remark). What we did look for, were tasty clips as to highlight some of the better moments throughout the years. As Drew notes at one point, we could have spent “too much time” in 93-95, so instead, we opted to spread the clip love out amongst the years. Plenty of great moments in 99, 00, and we even found 1 in 04. But in all seriousness, we feel that the boys have strategically placed Great Woods in the tour depending upon their needs. It was once a 2 night weekend stand, needed to ensure ticket sales were good. Now its a Tuesday night with no shows before or after, since they know sales will do well. In the end, we find there were many great moments at this Massachusetts traffic debacle, and we hope there are many more.

Thanks for listening, we will see you guys next week with a review of August 1993.

- Steve

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Episode 14: Best of 2010, Part 2

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Continuing where we left off from last week, the crew counts down to the #1 best jam of the year. This week we have a full house with Eric, Scotty, Drew and Tanya joining me and a full episode clocking in at just over 1 hour. Despite being possibly our biggest episode to date, we only saw one “technical difficulty”, which I chose to leave in as it resulted in some comical banter. Without a doubt, the crew did a fantastic job defending their top picks, or arguing against some. Listen now for no spoilers, or get a peak at the top five after the jump.

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Episode 13: Best of 2010, Part 1

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Most every blog has been releasing their “best of” opinions over the last month and we just couldn’t resist joining in on the fun. To mix ours up we had all 7 panelists submit their individual Top 10 list, then we ranked and aggregated the scores for a “definitive” TypeIICast Top 10 list. Now there’s some interesting results and some interesting opinions on what makes something most worthy of being included in the list. Join us for Part 1 as Steve, Justin, Sam and Eric defend and discuss their choices and the bonehead exclusions made by their peers.

This week we countdown from #10 – 6 (kind of…it proved to be a challenge mathematically).

Full track listing after the jump.

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Episode 11: I Drove 5 Hours to Worcester and All I Got Was a Hood.

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Hey everybody and Happy New Year. For our first episode of 2011, we totally broke all the rules. We should have done the show yesterday, but the studio wasn’t cooperating and we had sound problems. Eric Wyman was feeling under the weather and could not make it. Drew had to skype in from Syngapore. And we started the show with a 9 minute clip. Also, we had no show notes going into this episode, which is also a first. A true type II show.

In regards to our review of “Woosta”, we definitely all agreed it had its moments, but overall was choppy and the “phlow” just was not there. Take the title with a grain of salt though, we by no means hated on it, and both Sam and I are glad we made the trip. As you will be able to tell by the clips, we found some gems. A new type of jamming has started to emerge in the 3.0, and these 2 shows were the springboard for what will come at MSG.

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Editorial: Phish MSG Pay Per View

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As most of you are probably aware of at this time, Phish will be providing a Pay Per View experience for their sold out shows at MSG on 12/30, 12/31, and 1/1. This privilege will cost the viewer $15/$20 per night, or $40 for the bundle of all 3 nights. There has been a lot of chatter the past few days, some for, some against the PPV. Despite being on hiatus this week, hosts of both shows, This Week on Lot and Type II Cast, felt the need to discuss for a few minutes.

The panel this week includes Steve and Nick form TWoL, and Tanya and Eric from Type II.

What are your thoughts on the PPV?


Type II Episode 9: A December to Remember.

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Continuing with our retrospective theme of the last few episodes, we have dedicated Episode 9 to the amazing music and stage antics that took place in December, 1995. Scotty opens by setting the historical context of this highly experimental month, laying the foundation for Tanya, Sam Steve and Scotty to share conversations about specific instances of musical and theatrical innovations that characterize the concluding month of the monster Fall Tour of 1995. The lead clip is Mike’s Song from Hershey, PA 12/1/95. Key points begin with audience participation, which was taken to the next level in ’95. To appreciate the unique relationship between Phish and their audience, 2 clips from the “Dog Log” show of 12/11/95 are played. Then Sam and Scotty engage in a spirited debate over the way Free was played at this time. Sam explains exactly what Trey is doing to create the whooshing sound heard in 2 different Free jams that are shared. This takes us to Scotty’s enthusiastic account of the awe-inspiring performance of You Enjoy Myself from Albany 12/9/95. He plays 2 clips to illustrate what an incredibly cohesive yet exploratory version of YEM went down at the Knick that night. Two more atypical versions of songs are also discussed and shared with clips: Tweezer > Slipknot! and Keyboard Cavalry, both from 12/14/95 (which became Live Phish 1). We wrap up with a final discussion of additional noteworthy moments, and take it out with the Bass Duet > La Grange from 12/29/95. It was certainly a December to Remember!


Type II Episode 8: Smothered and Covered

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Sometimes the best song in a set is a song that Phish didn’t even write. This week Eric, Sam and Steve dusted off the archives for another 1.0/2.0/3.0 retrospective look at how other musicians have impacted and shaped the sound of Phish. From their beginnings as a bar band in the late 80’s through the most recent tour we investigate not only the songs they choose, but the impact varying genres and styles have on their overall sound.

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Type II Episode 7: The (de)Evolution of Mike’s Song

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This week the crew moves into a new direction. Scott, Tanya and Drew discuss the history of Mike’s Song. They start in the early days and discuss how the song has evolved, and eventually, devolved, into 2010.  The framework used in this episode will be repeated in the next 2, at least, as a complete overview of Phish in the 1.0, 2.0 and 3.0 eras.

The first part of this episode will cover the early days. Scott sets the stage and talks about how Mike’s began, the name changes it took in the very beginning, and how it started the “song suite”. From its inception, Mike’s presented itself as a rager, as a song for Trey to wail on. A clip from 5/8/89 is presented to illustrate Scotty’s point.

Then, Tanya takes us to the days of a “beautiful Mikes jam”. The crew feels this era began with NYE ’92 and continued through 1994. It is during this time that the F major jam was started, the song gained legs as being more experimental, and it is worthy to note the frequency at which Mike’s got played, nearly every other show. A clip from 12/30/93 was chosen for this segment.

Up next, Drew discusses the “Glory Days” which he is calling 95-99. During this period, there are many stellar versions of Mike’s to choose from. He dives right into the 11/11/95 clip, and as you could guess, he labels this one epic. After giving due props to 95, we lead into a clip from 8/13/96, again, hitting that epic territory. Finally, Drew touches on the funk that was 97 and the often overlooked jams of 98 and 99.

Then, Scotty brings it back home and breaks down where Mike’s went in Phish 2.0 and 3.0. And, as the title of this episode suggests, we feel Mike’s has tamed it down a bit, and is not the jam vehicle it once was. Scotty notes that the F jam has disappeared, and the song returns to the late 80’s, early 90’s versions which were essential Trey driven. One version which caught the eye of the panel though was 12/28/09, which we grab a clip from.

Finally, the group wraps up a general discussion of the song, I throw out some questions our listeners might be interested in, and we make predictions on the role Mike’s will play in the 2010 holiday run.

Be sure to tune in next week when Sam, Eric and Justin will take us on another nerdy journey into Phish’s history.

Be good,

- Stephen Olker


Type II Episode 5: Subtle Sounds

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Fall tour was so darn good that we just have to keep talking about it. Last week we reviewed the “best” moments of tour and this week Steve, Eric and Tanya discuss some of the “subtle” moments. Moments that may get lost in all the big rock pyrotechnics of Zeppelin covers and bust-out improv. We pulled a lot of clips ranging over the course of the entire tour to discuss how Fish led some of the finer moments and how the fitting tribute to a legend may be the most subtle and endearing moment of the current era. And what show would be complete without a little stumping for our favorite engine that could…Time Turns Elastic.

Thanks for listening and let us know what you think in the comments or by following us on Twitter (@typeIIcast)



Type II Episode 4: A New Hope

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We’re wrapping up an amazing conclusion to Phish Fall Tour 2010 this week. Scotty, Drew, Eric and Steve discuss the shows from the past week in both Manchester NH and Atlantic City NJ. Obviously one of the main highlights was Phish’s traditional Halloween costume on the 31st. In a bit of a surprise selection, the quartet absolutely slayed their rendition of Little Feat’s classic live album Waiting for Columbus. We discuss our highlights from not only from this year’s album, but how it stacks up against years past.

As if we had anymore time we spent a lot of time discussing how much “FUN” Phish shows have become and why this is a sign of great things to come. Finally, we wrap up with our thoughts on the tour as a whole and our personal highlights, in which Eric finds himself on a little island we like to call “Denial” when it comes down to choosing the best show of the tour.

We hope you like it, leave us a comment or send us an email at typeIIcast@gmail.com and let us know what you think. We’ve got no plans for our next episode, so help us out with some of your ideas.

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type II 2 : Phish Fall Tour 2010, ACL-CO-SC (podcast)

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In Episode 2, Steve, Scotty, Justin and Tanya briefly discuss Phish’s sets from Austin City Limits and 4 Mile Canyon Revival before jumping into the first 5 shows of fall tour. We cover The 3 shows in Broomfield, CO and the 2 in Charleston, SC.

All of the panelist agree that the Austin City Limits set was a well-played selection of songs designed to welcome new listeners to Phish’s music. The 4 Mile Canyon Revival did not include a Phish set, but did feature a stunning Trey and Mike acoustic set. Tanya attended the event and shared a clip from My Friend My Friend. Conclusion: Mike can get dirty playing acoustic.

The meat of the show involves discussion around several of the highlights of the 5 shows. We begin with Broomfield night one, and move right into the Ghost. The Ghost jam was deserving of 2 clips: one to highlight the jam’s peak, as Mike kicked in with the chunky funk, and then another toward the jam’s descent. The second clip begins with Jon hitting the cowbell to lead into a more rhythmic jam. This Ghost is Scotty’s favorite jam of the tour so far. He point outs that the boys do so much with the minor>major key jamming and patiently let it develop, as was their style of improv during the 2.0 era. Broomfield night one set 2 also featured the brilliantly-placed debut of My Problem Right There-right in the middle of a Makisupa sandwich. Scotty notes that the rare extra verse in Makisupa has the first drug reference of 3.0. The passing of the dank, in Tanya’s opinion, was fitting in Colorado. The final highlight from night 1 that is touched upon is the gorgeous version of Slave to the Traffic Light. Again, the patient musicianship was appreciated by all of tonight’s panelists.

Broomfield night 2 included another brilliantly-placed debut: What Things Seem, from Mike’s new album Moss. Justin plays us a clip, and Tanya remarks that it was well-received by the audience. Justin also shares a clip from Golden Age, which, as Scotty mentions, is the one-timer cover that fans want to see according to the poll in Hidden Track. Steve, Scotty, Justin and Tanya agree that the Broomfield version of Golden Age was very well-played and demonstrated that the band is responsive to fan feedback. Justin encourages us to give Broomfield night 3 a few listens. He likes the less-traditional setlist and shares a clip from the explosive Carini set 2 opener, as it transitions into David Bowie. Broomfield night 3 set 1 also featured Meat, which is saved for later.

Episode 2’s discussion wraps up with highlights from both Charleston shows. Scotty takes us there with a clip of Dr. Jack McConnell carrying on the tradition of performing Bill Bailey, Won’t You Please Come Home? Scotty’s assessment that Charleston night 1 was a marathon song-based show is shared by the panelists. Charleston night 2, however: different story. Set one featured the return of a beautifully played The Curtain With (everyone except Steve likes it With all of the time – Steve will take it With 9 out of 10 times), accompanied by Sand and Pebbles & Marbles. Scotty then plays us a clip from the set 2 Crosseyed and Painless opener to highlight the hilarity of the vocal reprise toward the end of the song. The final piece of music shared in Episode 2 is the Mike/Jon jam from YEM – another example of unrushed improv that characterizes this first part of fall tour.

Finally, this epidose of TypeIICast takes you home with Meat from Broomfield night 3 set 1. The panelists’ final word on early fall tour 2010: Patient, exploratory improv gives us hope that more type 2 jamming is on the horizon.

Join us next week when we discuss the next week of Phish tour, ME>NY>RI>MA.


type II 1.5: Our First Shows, cont. (podcast)

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Tonight we pick up where we left off discussing our first Phish shows with Steve and the remaining three members of the Type II Cast panel, Drew Hitz, Sam Davis and Eric Wyman.

We start off traveling back to Winter of 1992 with Eric, who shares how a “tease” of “On Broadway” cemented him firmly in Phish’s musical grasp in a clip from Mike’s Song. Check out the setlist…

12/29/1992 Palace Theatre, New Haven CT
Set 1: Funky Bitch, Runaway Jim, Guelah Papyrus, Llama, My Friend, My Friend, The Divided Sky, Wilson, Uncle Pen, Stash, Tela > The Oh Kee Pa Ceremony > Suzy Greenberg
Set 2: The Curtain > Tweezer > The Horse > Silent in the Morning, My Sweet One ->Big Ball Jam, Fast Enough for You, All Things Reconsidered, Mike’s Song > I Am Hydrogen > Weekapaug Groove, Hold Your Head Up > Terrapin > Hold Your Head Up, The Squirming Coil, Tweezer Reprise
Encore: Big Ball Jam, Carolina, Rocky Top

Next up is Sam from Dogoneblog who brings a different experience prior to his first show in 1999. We take a listen to the boys gelling together on Ghost, What’s The Use and a decidedly “un-zep” jam in Misty Mountain Hop. Here’s a look at the setlist.

7/20/1999 Molson Amphitheatre, Toronto ON
Set 1: Chalk Dust Torture, Sample in a Jar > Cars Trucks Buses, The Sloth, The Divided Sky, Waste > Ghost, Wilson > You Enjoy Myself
Set 2: Twist > The Moma Dance, What’s the Use?, Train Song, Also Sprach Zarathustra > Misty Mountain Hop[1]
Encore: Guyute, Hello My Baby
Up third is Drew with his first show from New Years ’93 and how four “idiots” stepped on stage and would forever change the path of a talented classical musician. And why a raging finale to Split Open and Melt will beat out Character Zero any day. Take a peek at the setlist…
12/31/1993 Worcester Centrum, Woostah MA
Set 1: Llama, Guelah Papyrus, Stash, Ginseng Sullivan, Reba, Peaches en Regalia, I Didn’t Know, Run Like an Antelope
Set 2: Tweezer > Halley’s Comet > Poor Heart > It’s Ice > Fee > Possum, Lawn Boy,You Enjoy Myself
Set 3: Auld Lang Syne > Down with Disease Jam > Split Open and Melt, The Lizards,Sparkle > Suzy Greenberg > Hold Your Head Up > Cracklin’ Rosie > Hold Your Head Up,Harry Hood, Tweezer Reprise
Encore: Golgi Apparatus, Amazing Grace
Last but not least, we take a quick listen to a clip from Steve’s first show at Penn State in ’97 and we all wonder how someone who hadn’t listened to any significant amount of Phish prior to the show really felt after a 29 minute Simple.
We’ll be back again next week, LIVE while Phish plays in Augusta ME discussing the first week of Fall tour with Tanya, Jay, Scotty and Steve. We hope you enjoy the show, let us know what you think in the comments!


type II 1.0: Our First Shows (podcast)

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Type II got off to a tremendous start as the members of Panel #1 -
Justin Wendt, Scott Bernstein and Tanya Sperry – each discussed
highlights from their first show moderated by Producer/Host Steve
Olker. We figured talking about our initial Phish experience would be
a great way to give the listeners insight into how we came to be fans
of the band.

Justin started us off by discussing his first show, which took place
at the Van Andel Arena in Grand Rapids, MI on November 11, 1996. Take
a look at the setlist…

Monday, 11/11/1996 Van Andel Arena, Grand Rapids, MI
Set 1: Chalk Dust Torture, Guelah Papyrus, Cars Trucks Buses, AC/DC
Bag, Sparkle, Brother, Theme From the Bottom, Axilla, Runaway Jim
Set 2: Timber (Jerry), The Divided Sky, Gumbo, The Curtain, Sample in
a Jar, Tweezer, Swept Away > Steep, Maze, Contact, Slave to the
Traffic Light
Encore: Waste, Cavern
Notes: Divided Sky included an All Fall Down signal. [all setlists via

We checked out a funky bit of improvisation from the Tweezer before
Justin revealed the real reason he attended the show that night.

Next, Scotty shared some memories from his first show, which took
place at the Beacon Theatre in New York, NY on April 15, 1994. Take a
look at the setlist…

Friday, 04/15/1994 Beacon Theatre, New York, NY
Set 1: Llama, Guelah Papyrus, Paul and Silas, Harry Hood, Wilson >
Chalk Dust Torture, Bouncing Around the Room > It’s Ice > Down with
Set 2: Maze, If I Could, The Oh Kee Pa Ceremony > Suzy Greenberg > The
Landlady, Julius, Wolfman’s Brother -> Alumni Blues > I Wanna Be Like
You > Hold Your Head Up > Cavern
Encore: Magilla, Amazing Grace
Notes: Suzy through Magilla featured the Giant Country Horns: Carl
“Geerz” Gerhard on trumpet, Dave “The Truth” Grippo on alto sax, Chris
Peterman on tenor sax, Mike Gallick on baritone sax, Don Glasgo on
trombone, and Joey Sommerville on trumpet. Alumni Blues was incomplete
as only one verse was performed, but it was the first since July 18,
1991 (301 shows).

You’ll never believe what Phishy tradition that continues today Scott
was a part of starting that fateful evening. The Giant Country Horns
joined Phish that night and we listened to the moment the six-piece
horn section strode on stage.

Finally, Tanya took us for a ride in the Wayback Machine as she talked
about her first show, which took place at the University of New
Hampshire’s Memorial Union Building in Durham, NH on April 27th, 1989.
Take a look at the setlist…

Thursday, 04/27/1989 Memorial Union Building, University of New
Hampshire, Durham, NH
Set 1: Golgi Apparatus, Jam, The Sloth, The Divided Sky, Sanity, I
Didn’t Know, Alumni Blues > Letter to Jimmy Page > Alumni Blues > The
Lizards, Whipping Post
Encore: Contact, David Bowie
Notes: The Jam, which is sometimes labelled String Changing Nature,
arose while the band tuned their instruments and included some funny
stage banter. This version of Sanity was the fast version.  This show
is believed to have been sponsored by the UNH Outing Club and
performed in the pub of the Memorial Union Building.

As a UNH student, Tanya had a front row seat to the beginning of
Phish’s career. By the end of Whipping Post at her first show she was
completely hooked. We checked out the peak of that Whipping Post as
well as the hilarious intro to Bowie. The frenetic Alumni Blues from
Tanya’s first Phish concert played us out this week.

Check back next Tuesday when Panel #2 – Eric Wyman, Sam Davis and
Andrew Hitz – get in on the act by describing their first Phish shows
along with Steve.

Note: Be kind on the audio… Still working out the new setup – Steve


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